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VICE Trailer Released by Entertainment One

WASHINGTON: Entertainment One UK has sent over its trailer for the film VICE starring a remarkably transformed Christian Bale. Lucy Reid   lucy@redcarpetmagazine.co.uk
 
From writer and director Adam McKay (The Big Short) and starring Christian Bale, Amy Adams, Steve Carelland Sam Rockwell, VICE is coming soon to UK cinemas.
 
The film explores the story of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice-President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
 
See the trailer here:
 
 
 
 
 
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Muse To Headline MTV World Stage In Bilbao

 

BILBAO: MTV has announced that Muse will headline “MTV World Stage Bilbao,” following  “MTV Music Week” ahead of the 2018 MTV EMAs,

The band plays on Saturday 3rd November at San Mamés Stadium opening the way for the EMAs which will be broadcast live on Sunday 4th November from Bilbao Exhibition Centre, Spain. This year the event is in partnership with the film "Overlord".

English/Spanish electronic folk band, Crystal Fighters, will also perform at the three-hour live event, with other performers to be announced at a later time.

Seated and standing tickets will be available Monday 8th October at 1200 CEST for only five euros each at mtvema.com.

The five-time MTV EMA Award-winning English rock band, Muse, includes Matt Bellamy, lead vocalist, guitarist and keyboardist; Chris Wolstenholme bass guitarist and vocalist; and Dominic Howard, drummer.

With over 20 million album sales worldwide, Muse has several Billboard top 100 hits including “Uprising,” “Madness” “Time is Running Out,” “Psycho,” Super Massive Black Hole” and “Starlight.” The band’s new Album ‘Simulation Theory’ will be released on Friday 9th November, and this will be the first time Muse performs tracks from their new album in Spain.

Crystal Fighters comprises  frontman Sebastian Pringle; Gilbert Vierich, guitarist and percussionist; and Graham Dickson, guitarist. They describe their style as "fast, mesmeric and passionate."  MTV describes it as a "joyous explosion of beats, electronics and bass dazzlingly delivered onstage."  Audiences can look forward to a powerful live show incorporating dance music with acoustic guitars and traditional Basque instruments. 

For more information about ”MTV World Stage Bilbao,” visit mtvema.com.

 

 

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New SVP At Nickelodeon

 

NEW YORK Nickelodeon has announced Ron Hines as senior vice president, for creative development, global experience design. Lucy Reid       lucy@redcarpetmagazine.co.uk

 

Hines’s promotion will see him report to Anne Mullen, executive vice president, preschool brand creative and marketing. He will lead a team of designers and art directors who work with partners to develop, produce and implement Nickelodeon licensed theme parks, waterparks, resorts, cruises, live entertainment productions, exhibits and corporate events. 

With decades of design experience, Hines has helped bring to life Nickelodeon Universe in the Mall of America, as well as theme parks and waterparks in Europe, Asia and Australia.

Based in Orlando, FL, Hines will continue leading on two new Nickelodeon Universe projects currently under development at the American Dream Mall in New Jersey scheduled to open in 2019 and Mall of China in Chongqing scheduled to open in 2020. 

Hines comes from a global brand backgroud that includes Universal, Hard Rock and AT&T.

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Jakuchū Exhibition - The Colourful Kingdom of Living Beings

PARIS September sees a unique opportunity to explore the paintings of Itō Jakuchū which make their debut at the Petit Palais in a European first. Lucy Reid lucy@redcarpetmagazine.co.uk

 

The exhibition features a series of 30 hanging scrolls entitled Dōshoku sai-e: ‘The Colourful Kingdom of Living Beings’ painted by Jakuchū somewhere between 1757 and 1766.

This was the 18th century Edo era made famous by poets like Matsuo Bashō, the grand master of the haiku form. Jakuchū’s subtle brushwork and vivid colours also flourished during the rise of culture and art that flourished in the Edo period.

Exhibited for the first time in Europe, the exhibition was facilitated by loans from Japan’s imperial collection. The extreme fragility of the works means that they will be on show for only a month, as part of the season Japonismes 2018.

The Colourful Kingdom of Living Beings features pictures of animals and plants and the 30 scrolls portray an array from peacocks to trees in flower. Jakuchū’s silk painting technique uses paint on both sides of the fabric, the absence of outlining and the use of both mineral and natural pigments.

Itō Jakuchū’s work is a rich indicator of hours of attentive observation and a deep affection for his subject matter. Now, the Petit Palais is offering the public the opportunity to see the ensemble as he creator originally intended it.

This exhibition marks the 160th anniversary of diplomatic relations between France and Japan in 2018, on the theme of Japonismes 2018.

 

At The Petit Palais 

15 September – 14 October 2018

Tuesday - Sunday, 10 am - 6 pm

Open late: Friday until 9 pm Saturday and Sunday 8pm

 

See more at www.petitpalais.paris.fr/en

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The Windfall

Humankind is so clever and accomplished - until it’s time to distinguish between wealth and contentment. This momentous distinction is comedically tackled in “The Windfall” a debut novel set in the status-obsessed wealth colonies of India. Sat Bal

 

There’s even an official name for the kind of psychological turmoil that overnight wealth of this sort brings: Sudden Wealth Syndrome. “The Windfall” mirrors this turn in fortunes for middling entrepreneur Anil Jha whose SWS moment comes when he manages to sell his website for $20 million.  

While this sum doesn’t quite put Jha in the 1% of India’s Bollygarchs, it’s enough to catapult his family from a respectable housing complex to the luxurious Delhi suburb of Gurgaon where status is all.

Author Diksha Basu tells a jaunty, witty story that bristles with the psychopathologies of handling both new and established wealth. In doing so she artfully weaves a cast that vacillates between the former and future lives of the Jha family.

Their future features Mr Chopra, a beefy burgher of Gurgaon and the scion of inherited money. In other words, he knows his way around wealth and is accustomed to the lifestyle it affords. The Jhas are not. Yet Chopra’s dynastic wealth does little to calm his psyche. We’re told that he’s not afraid of much “but the thing that frightened him most was poverty.”

His status fears are heightened when his neighbours sell their house to the Jhas in order to upgrade to London’s Kensington, prompting Mrs Chopra’s insecurities. “What if everyone else in Delhi becomes rich and the people who are poor now move in next door and suddenly we are one of the poor. What then?”

One imagines the same anxieties being played out in Shanghai, Brasilia and other new money hot spots around the globe. The realisation that happiness is not automatically on the fixtures and fittings list of a luxurious house is a sobering thought for anyone who expects contentment to flow as an emotional corollary of wealth. As Charles Spurgeon put it: “It’s not how much we have, but how much we enjoy, that makes happiness.”

The constant catch-up attempts of the Jhas set the tragicomic scenes ahead as new wealth conflates with old times. Witness the embarrassment felt by Mr Jha when his new Mercedes, which arrived early, was delivered to his old home where it was “nearly impossible to navigate past the cows in the narrow lanes.” Jha’s shame is palpable: the delivery driver seeing his old abode and the neighbours seeing his new luxury car.  

Mrs Jha has parallel issues when her husband decides that they can’t employ a kitchen maid lest guests fail to notice that they have a new automatic dishwasher in the kitchen. The husband even sees trophy value in the aspiration that their son, Rupak, will have a blonde American girlfriend in the US, where he’s studying for an MBA.

Yet the fact that Rupak’s girlfriend, Elizabeth, is indeed a US blonde causes the boy untold grief. The non-disclosure of Elizabeth to his parents, whose objection he anticipates, sets the scene for endless conflict. Rupak is decidedly the weakest character in the book and Elizabeth makes this point with the warning: “Figure out who you are and just be that person,” as the relationship teeters.

The author brings an engaging set of characters to the fray. There’s the widowed romantic, Mrs Ray, who assures herself that lust is a curiosity rather than a reality. Mr Chopra’s son Johnny likes Lexus cars and girls but seems unable to earn a living - a fact welcomed by his dad whose money shields the boy from the unsavoury pursuit of working. And then there’s Serena - Elizabeth’s Indian counterpart. Predictably, Rupak’s affections for Serena just induce more hand-wringing and their druggy encounters stay right there.

Yet despite the promising cast, credible scene-setting and Diksha Basu’s nimble storytelling the novel ends at a plateau rather than the expected crescendo. That said, this debut novel puts Basu on the literary watch list - and the summer reading list.

 

The Windfall

£7.99 Paperback/Ebook

Publisher: Bloomsbury

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Rolling Stones and Universal Shake On It

LOS ANGELES: The decade-old union between The Rolling Stones and Universal Music Group (UMG), has moved closer with the announcement of a global deal that encompasses the band’s recorded music and audio-visual catalogues. Abigail Parkin  abigail@redcarpetmagazine.co.uk

 

UMG will also be providing archival support, global merchandising and brand management.

The status of both parties as global players has been well-established over the years: The Rolling Stones’ huge  impact on pop culture finely tunes with UMG’s expertise and resources.

Sir Lucian Grainge, chairman & CEO of UMG said, “After a decade of working in partnership together, we are thrilled to expand and extend our relationship with The Rolling Stones.  We look forward to bringing our expertise and passion to bear as we put our global organization to work on behalf of this iconic band who continue to create music and influence culture around the world.”

David Joseph, chairman & CEO, Universal Music UK, added: “The Rolling Stones continue to define rock and roll, they are loved the world over and they are the band who never let up. It’s a privilege to work with them and Joyce Smyth, their exceptional manager.”

Joyce Smyth, The Rolling Stones manager said, “For many years now we’ve had a wonderful partnership with Universal Music and look forward to an even more successful future together.’’

UMG will continue to distribute the band’s celebrated recorded music catalogue globally with future projects and reissues to be released through UMG’s labels and networks around the world.

Bravado, UMG’s brand-management and merchandise arm leads the global provider of consumer, lifestyle and branding services to recording artists and will handle global merchandising rights, retail licensing, brand management and e-commerce on behalf of the band, including their iconic tongue logo, one of the most universally recognized symbols in entertainment.

Bravado’s radar will also identify innovative opportunities for creative collaboration within the worlds of art, fashion, retail, sport, lifestyle and touring merchandise to excite and inspire their millions of fans around the world. 

Recent programs and collections include partnerships with Paris Saint Germain FC, Selfridges, Colette and Zara and newly designed merchandise for their No Filter European Tour.

Eagle Rock, the UMG-owned leading producer and distributor of music programming for broadcast, DVD, Blu-Ray, TV and Digital Media, has expanded its global distribution rights to the band’s extensive long-form audio visual catalogue.

The agreement will see Eagle Rock re-issuing several classic concert films from their archives including: Atlanta (1989); Steel Wheels (1989-90); Voodoo Lounge (1994); Bridges to Babylon (1997-1998); Four Flicks (2002) and Bigger Bang (2005-2006).

Picture credit: Dave Hogan

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Isle of MTV Malta

MALTA: Isle of MTV ended a hot June with British DJ Sigala, Paloma Faith and Ella Eyre hitting the stage in in Il-Fosos Square. Lucy Reid  lucy@redcarpetmagazine.co.uk 

 

The performer roster at the 12th Isle of MTV Malta saw Jason Derulo, Hailee Steinfeld (below) join DJ duo Dimitri Vegas and Like Mike stir the crowds massed in Floriana, Malta.

 

  

 

DJ Sigala managed a double surprise, ushering special guest Fuse ODG to the stage to perform their floor-filler Feels Like Home - and then welcoming Paloma Faith (below) to the stage for Lullaby, in a glamorous blue sequinned dress.

 

 

Hailee Steinfeld, Oscar-nominated actress-turned-pop star ran her hits and choreographed dance moves to a primed audience and Jason Derulo (below) ran riot with dancers galore, full live band and stunning visual effects,as hits Wiggle and Whatcha Say rent the Maltese air.

 

Cue confetti clouds and lasers as Dimitri Vegas and Like Mike took to the decks, spinning hits including new single When I Grow Up featuring Wiz Khalifa and All I Need with the night closing on Liberte

 

Catch our previous IOM Malta trips:

IOM 2017:

 

IOM 2016:

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Bombardier Jet Reveal

GENEVA: Bombardier has revealed its Global 5500 and Global 6500 jets, the newest in its Global business jets range.

Bombardier’s reveal took place at the European Business Aviation Convention and Exhibition in Geneva and presented a positive portrayal of the Canadian company which was dogged by bankruptcy issues only three years ago.

The planes are powered by new Rolls-Royce Pearl engines and come with a new wing design and cabin interior. The Global 5500 has a range of almost 6,000 nautical miles making flights from Sao Paolo to Paris a breeze while the 6500 has a range of 6,600 miles.  The flight range of the new planes will be a challenge to rival Gulfstream which currently holds the distance trophy for long range  business jets.

A 13 percent increase in fuel efficiency helps the environment and  operational efficiency.  

Inside the 5500 and 6500, Bombardier’s Nuage (French for ‘cloud’) seats will cosset passengers.

The jets are expected to take to the skies by the end of 2019.

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Indian Developer’s No. 1 with 5 Strand Purchase

 

LONDON: ABIL Group is the new owner of 5 Strand in London in a first for the Indian property developer. Lucy Reid     lucy@redcarpetmagazine.co.uk

 

Savills acted for ABIL in its purchase of the mixed use office and retail building from BlackRock UK Property Fund in deal that exceeded £90 million according to Savills.

The 72,359 sq ft building is let to Westminster City Council and Boot and features design plans by Adjaye Associates for a 200-room hotel scheme and planning consent for a new 152,400 sq ft development. This encompasses office accommodation and retail space and luxury residential accommodation.

Barry Mangan, director in the central London investment team at Savills, said: “Located adjacent to Trafalgar Square, close to Charing Cross station, 5 Strand presents an attractive redevelopment opportunity to maximise the building’s strong position in prime central London. As such it makes a good investment for our client, in their first UK purchase.”

Gary Witham, director in the hotels team at a Savills, said: “As the first purchase for our client, 5 Strand makes an excellent choice providing the opportunity to create a leading purpose built hotel in a tourist location that is recognisable to a global audience.”

Savills points at £1.06 billion in London hotel investment last year which it says represents an increase of 17.7% on 2016 while institutional capital investment into hotels grew 6.8% to £370.7 million in 2017, the highest level of investment from this buyer type for over 10 years, according to the firm.

ABIL Group’s headquarters are in the Indian city of Pune and the business was founded by Avinash Bhosale in 1979. ABIL’s luxury  developments encompass the St. Regis Mumbai, W Goa, Westin Pune and Le Meridian Nagpur all under the Marriott brand across India.  

Cushman & Wakefield joined Tudor Toone to advise BlackRock on the sale.

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Cannes Premiere- Solo: A Star Wars Story

CANNES: Solo: A Star Wars Story is the first film in the series to screen at the Cannes Film Festival since Revenge of the Sith over a decade ago. Chris Page

Disney ensured that it all went with a bang thanks to a sustained fireworks display that illuminated Cannes’ watery horizon. 

Stormtroopers were notably exempt from the strict Cannes premiere dress code but notably present on the steps of the Grand Theatre Lumiere awaiting director Ron Howard and the cast who arrived for Tuesday’s screening.

The Stormtrooper presence reasserted itself later when festival director Thierry Fremaux took to the stage and introduced the film to the audience. The end of the film was met with audience applause that was deemed ‘polite’ but there was a standing ovation for Ron Howard and star Alden Ehrenreich. The general feeling among film insiders was that the encomium was far more enthusiastic at the film’s Los Angeles premiere last week. Probably just as well that Solo’s status is “out of competition” in Cannes, thereby excluding it from any awards.

 

 Jennifer Connelly and Stormtroopers in coordinated wardrobe for the party at the Carlton Beach 

 

Solo wasn’t blessed with the smoothest of starts as Ron Howard acknowledged at kast week’s press call in LA. "I did come into [it] late," he said "It was a lot of work that [original directors] Phil [Lord] and Chris [Miller] had done. And unfortunately, with creative differences, there was this circumstance where they were not going to carry on.

In Cannes though it was business as usual with Lucasfilm head Kathleen Kennedy and her Walt Disney film counterpart Alan Horn in town for the occasion along with cast members including Woody Harrelson, Emilia Clarke and Thandie Newton.

 

 

The film, released next week in the UK, portrays the infancy of space pirate Han Solo who later teams up with famed giant ape Chewbacca. It depicts Solo’s noble rise to handler of the Millennium Falcon, the craft originally piloted by Harrison Ford’s character.

After the screening, it was off up the Croisette to the Carlton Beach that had been transformed into an afterparty film set replete with the film’s most recognisable characters and, yes, more Stormtroopers. The party was a return to form for Cannes as champagne fizzed amid conspicuous sushi consumption.

 

Imagery courtesy of Getty/Lucasfilm Ltd

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