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Hollywood in the Shires

Surrey and Hampshire have provided film locations for a number of Hollywood hits and From The Hip Video Production takes us on tour of them. Lucy Kale

The Surrey-based video production company, which is now spreading to Hampshire, sent us the above chart which features the highest-grossing films made in Surrey and Hampshire, respectively.

Virginia Water for Harry Potter & The Goblet of Fire

The infographic also details the location, length of filming and the final gross.

Jelly's Hollow for Beauty & the Beast

Netflix’s new deal with Shepperton Studios suggests a continued wave of interest in the area and a rise in the popularity of film tourism which further boosts local business.

Farnborough Airport for Quantum of Solace

www.fromthehipvideo.co.uk

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Hollywood In London

LONDON A new collection of portraiture from two seasoned hands, Terry O'Neill CBE and Bran Symondson, is to be presented by at the end of September. Sat Bal

The new collection is called 'Hollywood Re-loaded' and will be unveiled at Annabel’s, London, on Monday 30 September 2019. The name of the collection makes more sense on learning that it features reinvented Terry O'Neill's portraits of Hollywood icons - posing with guns.

Michael Caine, Brigitte Bardot and Roger Moore are all armed and bulleted fired by ex-Special Forces turned artist and reportage photographer, Bran Symondson, using the same gun as in each portrait.

Terry O’Neill said: “What Bran has done with my photographs is astounding.  He’s taken such time and consideration when creating his art – he really has transformed my photographs into something entirely his own.   It’s been a thrill for me to work with a young artist such as Bran, to listen to his thoughts and process.  And I can’t be more pleased with the results.”

Bran Symondson commented of his new space at the intersection of photographer and soldier that both,  “…are looking intensely for the moment.”

HOFA runs four international art galleries in London’s Pall Mall and Mayfair, Nammos Village in Mykonos and in LA’s West Hollywood. The exhibition will aptly make its début at Annabel’s, hangout of the stars and London’s VIPs, on the 30th of September. It will then move to the HOFA Gallery on Maddox Street on 1 October where it be on display throughout Frieze week till the 14 October, 2019.

Watch Bran's video here:

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Avengers: Endgame set to top 2019

LOS ANGELES Hollywood was abuzz with premiere excitement as Avengers: Endgame made its debut on Monday night with a stellar cast attendance. Data experts Applaudience have forecast the film to become the highest grossing of 2019 in the UK.


The Los Angeles Convention Center welcomed stars including Scarlett Johansson, Brie Larson, Robert Downey Jr. , Bradley Cooper, Chris Hemsworth.

Liam Hemsworth and Miley Cyrus (below) hit the red carpet too along with Chris Pratt and Katherine Schwarzenegger, who declared coupledom on the carpet.

In the UK, Good Friday weekend’s record temperatures didn’t do cinemas any favours: not a single film making over the £1m mark reports Applaudience. But as of this week 3.25% of the entire UK is said to have already purchased advance tickets with a mighty 1,177,613 tickets bought for Fri-Sun screenings and 2,148,092 sold over all dates.

Black Widow Scarlett Johansson at the LA premiere in metallic Versace

Avengers: Endgame has already made £12.1m in advance ticket sales over the Box Office weekend and a further £10m across additional dates.

Applaudience has confirmed that the film will top its predecessor Avengers: Infinity War's hefty £329m Box Office opening weekend in 2018.

Below are showtimes that are 95%+ sold out (only corner / front-row seats are left to book)

Regional Statistics

Applaudience’s metrics using data mining software and sales analysis from the top 10 cinemas chains.

It reports that cinemas in the east of England have sold out of the greatest amount of in the UK, with 34.3% of the total, pre-booked.

This is closely followed by cinemas in the South East (28.9%) and East Midlands (28.5%). Yet more rural regions of the UK such as Northern Ireland and Wales are less taken by Marvel madness, with only 15.3% of total tickets available sold out in Wales and 18.5% in Northern Ireland.

Benedict Cumberbatch and Sophie Hunter

Planning to catch the film this weekend? Book ahead: 904 screenings up to 95% capacity and 2025 screenings across the UK are already listed as sold out.

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Literary Agents - The Power Behind the Passion

LONDON Few professions combine the tetra of talent that forms a successful literary agent. Sharp negotiation skills, a working knowledge of intellectual property, the juggling of New York/LA time zones - all wrapped up in a singular creative passion. And for around a 15% return on 100% commitment to their authors.

Here, we make visible three members of the invisible estate...  


Camilla Bolton

Senior Agent 

Darley Anderson Agency

Your career trajectory and current specialism?

I have been here for 11 years and started as an office assistant and reader before Darley gave me the incredible opportunity to become an agent after three months at the agency. I specialise in fiction focusing mainly on crime, thrillers and suspense, although I do also take on a few women’s fiction and non-fiction projects if I fall in love with them.

Approach to nurturing talent - debut and established authors...

The key for our agency is that we sign authors with the belief that we will represent them for their whole careers. As an agent you have to obsessively love a manuscript, but it is also hugely important that we believe we can work with an author over hopefully many years and be the very best advocate for their work.

A big part of my job is working very closely with authors editorially and nurturing them from the outset so they are equipped and ready to work with editors. Once we have deals in place – we purposefully keep hold of the world rights so we can submit directly worldwide - we then support authors, manage and strategise their careers, maintain positive relationships with publishers and negotiate the very best terms and advances for contracts. Overall, day to day, our approach is definitely one of supporting and protecting our authors now, whilst being very aware of the market and strategising how their future careers will flourish.

Challenges currently facing the agency market and your company - and your outlook for 2019

The book market is continuously changing and this year has been harder for paperbacks to secure shelf space, but then hardbacks are definitely holding their worth. The ebook market fascinates me as readers tend to be far more genre loyal as opposed to the author loyalty you find with printed books. So we need to work with authors and publishers to find new ways to ensure an author’s presence is sustained.

Every year there are challenges but the key for us is ensuring our represented authors have all the support they need, whilst as an agency we are also very focused on discovering new talent and future bestsellers. When you have an amazing manuscript with characters and plot that blow you away then it shouldn’t matter if it’s being called a challenging year; as an agent you need to have unwavering belief and determination that there is always a way to ensure the manuscript will become a novel that readers will love. So our outlook is extremely positive and we’ve got some amazing books being published in 2019.

What were your highlights for 2018?

We’ve had a phenomenal year with Lee Child dominating the world and at the agency we’ve had five books at No 1 in the UK and four at No 1 in the US. Overall in just the UK and US, fourteen of our authors have been chart bestsellers, including ten books on the Sunday Times bestseller list and eight on the New York Times bestseller list. Two of my authors reached the remarkable milestone of having sold over a million copies so this has also been incredibly exciting. Another huge work highlight for me personally was having both B A Paris’ Bring Me Back and Catherine Steadman’s Something In The Water on the New York Times bestseller list at the same time. I’ve also sold four debuts with a fifth looking like it’s about to go under offer, so it’s been a thriving year for new talent.

And your tips on the stocking-filler titles for Christmas?

There is an amazing independent bookshop in central London called Goldsboro Books that specialises in beautiful collectible hardbacks so I always tell people to visit here for stocking-filler gifts. For particular titles, Past Tense by Lee Child is phenomenal (and competing to be my favourite Reacher book so far) and You Were Gone by Tim Weaver is a genius mix of an amazing hook, incredible protagonist and beautiful storytelling. If you’re looking for really fresh voice driven titles then the debut You Don’t Know Me by criminal lawyer Imran Mahmood has received huge acclaim, and G X Todd’s Defender and her Voices series has been compared to King’s The Stand so she is definitely an author to watch.

Angharad Kowal Stannus

Founder 

Kowal Stannus Agency 

Your career trajectory and current specialism?

I spent the first 10 years of my career on the publishing side in NY at Simon & Schuster as director of rights, specialising in the international markets. In 2008 I switched to the agenting side and moved to London where I opened the UK office of literary agency Writers House. In 2017 I had the pleasure of going out on my own and opened the Kowal Stannus Agency.

Big picture publishing has always held a fascination for me, whether it’s through business with publishers in countries all over the world, or being able to offer my clients the knowledge that comes with having been on both sides of publishing and agenting spectrum. A background in rights –
selling translation, film and television, merchandise, or what have you – also trained me to think about books as a gateway to many different things. During my career I’ve been privileged to represent an incredibly diverse list of authors and illustrators such as: Stephen Hawking, Nora Roberts, Neil Gaiman, Michael Lewis, Rachel Renee Russell, Karen Rose, Christopher Paolini, and Natalia and Lauren O’Hara, to name just a few. So much so that I’ve purposely chosen not to specialize in any one genre; KSA represents fiction and nonfiction for adults and children.

Having a wide view of all publishing markets makes me more valuable in this world of intellectual property, and certainly makes my job more fun.

Approach to nurturing talent - debut and established authors...

In this world of ever-tightening budgets, editors have less and less time to edit, and therefore won’t acquire something that needs more than a fair amount of editorial work. As an ex-publisher, I know just how busy they are. A manuscript has to be loved not just by the editor, but by the many other gatekeepers working with that editor. That’s where your agent comes in. I provide editorial comments and support, and usually my advice is less about the creative and more about the commercial, or helping clients to think about the bigger picture. It’s also about supporting my clients across publicity, marketing, branding, the development of their website, etc. But the most important thing is a good relationship and respect.

Challenges currently facing the agency market and your company - and your outlook for 2019?

It’s no surprise that the entertainment market is incredibly competitive. The most important thing is to get the client’s work in the right hands, and provide the tools to know where in the market to place it. My outlook for 2019 is incredibly positive – I can’t wait to see some client’s new or debut
titles published, and to continue to add new voices and artists to my list. I’d love to add some more commercial fiction, and I’m still looking for the perfect love story.

What were your highlights for 2018?

Growing my client’s individual careers is always the highlight of the year. I’m also thrilled to have signed some fantastic new voices and stunning Illustrators, which you’ll be hearing about next year.
And I’m particularly pleased that Lauren O’Hara was chosen to illustrate Sophie Dahl’s first book for children, Madame Badobedah,due to publish next autumn, so look for it then.

And your tips on the stocking-filler titles for Christmas?

For a great gift for your daughter, as a family activity, or for someone who needs a little lift, I recommend Write A Letter by kindred spirit Jodi Ann Bickley. For pure escapism and to shake off end of year malaise, book 1 in Angus Watson’s new series, You Die When You Die. Or for the youngest ones, the gorgeous picture book, The Bandit Queen, by sisters Natalia and Lauren O’Hara.

Donald Winchester

Literary Agent 

Watson, Little 

Your career trajectory and current specialism?

I’ve been a literary agent at Watson, Little for five years, after a half-decade at AP Watt, and before that in editorial at Penguin. At Watson, Little (which incidentally is nearing its 50th anniversary), I look after a broad range of fiction and non-fiction. In fiction I tend to look for high quality writing in many areas – I am most readily seduced by a story that combines smart and compassionate writing with a playful approach to structure. Some of my favourite contemporary novelists include Sarah Hall, Edward St Aubyn, and Zadie Smith.

Approach to nurturing talent - debut and established authors...

Every author is different, and has different needs. My view is that an agent is there to serve their authors, to give them what support, feedback, and encouragement they need – while also negotiating the best deal for them on all fronts. This means a curated approach for each writer. I do a lot of editorial work with my authors – ensuring their work is in the best possible shape before an editor sees it.

Challenges currently facing the agency market and your company - and your outlook for 2019?

The general constraints of the market, where readers have an increasing array of entertainment options to choose from, remains an issue to those (like me) who love books above all! On the industry side, publishers’ eagerness to acquire non-traditional rights (often to the detriment of authors) will continue to be a challenge.

What were your highlights for 2018?

Cyprian Ekwensi’s brilliant Jagua Nana, the story of a bold and resourceful woman in revolutionary Nigeria, was published by Penguin Modern Classics this year. It is a real gem, by an unjustly neglected and prolific writer, but is also personally pleasing as its been brought back into print after several years.

And your tips on the stocking-filler titles for Christmas?

The familiar (Sally Rooney, Ladybird remakes, Michelle Obama’s autobiography) will be there but I’m also hoping people will make time for Pat Barker’sThe Silence of the Girls, Timothy Morton’s Being Ecological, and Jesmyn Ward’s Sing, Unburied, Sing.

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Bumbu Rum Airs With Lil Wayne

NEW YORK Bumbu Rum Co. is set to air a new interview series, "The Bumbu Room," in which celebs and their fans engage in a candidly Q&A. Rapper Lil Wayne takes the mic first in the series which premiered today on Billboard.  Lucy Reid   lucy@redcarpetmagazine.co.uk

Bumbu Rum is owned by Sovereign Brands, a family-run, global wine & spirits company headquartered in New York and led by CEO Brett Berish. Bumbu is a craft rum brand from Barbados,  ranking high in the world order of critically acclaimed rums.

Following Lil Wayne’s debut, future pisodes of "The Bumbu Room" will star DJ Khaled, Rick Ross, Dave East, and others. Prior to filming, each artist will announce their “Bumbu Room” participation on social media so that fans have the opportunity to submit their best questions.

In Episode 1, Lil Wayne weighs in on keeping multiple girlfriends, plastic surgery, Rihanna vs. Nicki Minaj, and Jordan vs. Kobe.

Click HERE to watch...

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United Productions At Andrea Bocelli Tour

 

The performances of legendary tenor Andrea Bocelli went up an octave thanks to United Production’s choreography on his UK Tour.  Lucy Reid  lucy@redcarpetmagazine

The company has been providing entertainment, creative direction and staging across the entertainment industry for the past 15 years. United Production dancers, Ediz Ibrahim and Hannah Jennings roused an audience of 20,000 at London’s O2 Arena.

United's Lyndon Lloyd choreographed a spectacular, classic piece while the company supplied full casting, dancers, styling and creative direction for the show.

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New SVP At Nickelodeon

 

NEW YORK Nickelodeon has announced Ron Hines as senior vice president, for creative development, global experience design. Lucy Reid       lucy@redcarpetmagazine.co.uk

 

Hines’s promotion will see him report to Anne Mullen, executive vice president, preschool brand creative and marketing. He will lead a team of designers and art directors who work with partners to develop, produce and implement Nickelodeon licensed theme parks, waterparks, resorts, cruises, live entertainment productions, exhibits and corporate events. 

With decades of design experience, Hines has helped bring to life Nickelodeon Universe in the Mall of America, as well as theme parks and waterparks in Europe, Asia and Australia.

Based in Orlando, FL, Hines will continue leading on two new Nickelodeon Universe projects currently under development at the American Dream Mall in New Jersey scheduled to open in 2019 and Mall of China in Chongqing scheduled to open in 2020. 

Hines comes from a global brand backgroud that includes Universal, Hard Rock and AT&T.

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Rolling Stones and Universal Shake On It

LOS ANGELES: The decade-old union between The Rolling Stones and Universal Music Group (UMG), has moved closer with the announcement of a global deal that encompasses the band’s recorded music and audio-visual catalogues. Abigail Parkin  abigail@redcarpetmagazine.co.uk

 

UMG will also be providing archival support, global merchandising and brand management.

The status of both parties as global players has been well-established over the years: The Rolling Stones’ huge  impact on pop culture finely tunes with UMG’s expertise and resources.

Sir Lucian Grainge, chairman & CEO of UMG said, “After a decade of working in partnership together, we are thrilled to expand and extend our relationship with The Rolling Stones.  We look forward to bringing our expertise and passion to bear as we put our global organization to work on behalf of this iconic band who continue to create music and influence culture around the world.”

David Joseph, chairman & CEO, Universal Music UK, added: “The Rolling Stones continue to define rock and roll, they are loved the world over and they are the band who never let up. It’s a privilege to work with them and Joyce Smyth, their exceptional manager.”

Joyce Smyth, The Rolling Stones manager said, “For many years now we’ve had a wonderful partnership with Universal Music and look forward to an even more successful future together.’’

UMG will continue to distribute the band’s celebrated recorded music catalogue globally with future projects and reissues to be released through UMG’s labels and networks around the world.

Bravado, UMG’s brand-management and merchandise arm leads the global provider of consumer, lifestyle and branding services to recording artists and will handle global merchandising rights, retail licensing, brand management and e-commerce on behalf of the band, including their iconic tongue logo, one of the most universally recognized symbols in entertainment.

Bravado’s radar will also identify innovative opportunities for creative collaboration within the worlds of art, fashion, retail, sport, lifestyle and touring merchandise to excite and inspire their millions of fans around the world. 

Recent programs and collections include partnerships with Paris Saint Germain FC, Selfridges, Colette and Zara and newly designed merchandise for their No Filter European Tour.

Eagle Rock, the UMG-owned leading producer and distributor of music programming for broadcast, DVD, Blu-Ray, TV and Digital Media, has expanded its global distribution rights to the band’s extensive long-form audio visual catalogue.

The agreement will see Eagle Rock re-issuing several classic concert films from their archives including: Atlanta (1989); Steel Wheels (1989-90); Voodoo Lounge (1994); Bridges to Babylon (1997-1998); Four Flicks (2002) and Bigger Bang (2005-2006).

Picture credit: Dave Hogan

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Gray & Farrar Appoints New MD

 

Mayfair-based matchmaking consultancy Gray & Farrar has announced the appointment of Kalina Boyadjiew as its first managing director.

 

The consultancy leads with a policy of “No apps, algorithms or data matches” instead opting for a more personal bespoke service to its wealthy clients.

In a bid to boost global expansion of the family-owned British brand Kalina Boyadjiew brings a background of real estate and lifestyle industry experience to the role from luxury operators including the Four Seasons Hotel, Residences and Private Members Club and renowned developer Candy & Candy where she oversaw the sales programme and service delivery of One Hyde Park.

She also makes a debut as the first non-family member to join the business at managerial level from its discreet headquarters in a Mayfair townhouse in London.

Gray & Farrar was established by Virginia Sweetingham in 2005 and boasts over 40 years of collective expertise under the Sweetinghams.

Kalina Boyadjiew said: “Matchmaking is undergoing a seismic evolution as society falls out of love with the impersonal, random and casual nature of dating websites and apps, and further embraces the concierge culture which dictates that one must appoint an expert to ensure that every facet of life runs seamlessly. Gray & Farrar is leading that charge, combining a global outlook with bespoke client service, tailored to fulfil the needs and demands of the most discerning HNWIs.

“My experience in international luxury offers the ultimate background to guide Gray & Farrar through its next period of expansion, both domestically and across the globe, identifying strategically selected opportunities and partnerships along the way.”

Virginia Sweetingham added: “It is fantastic to have Kalina on board at Gray & Farrar. Her global experience is just what the business needs to build on its incredibly strong foundations, and to realise its global potential. We are looking forward to applying the knowledge and experience Kalina brings with her which, together with our unrivalled knowledge of matchmaking, will ensure that Gray & Farrar continues to offer the best possible service to its clients whilst becoming recognised as the world leader in its field.”

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Neptunus Production Win

Temporary structure supplier Neptunus has been named the UK’s Best Temporary Structure Supplier at the Event Production Awards 2018.

Neptunus scooped the award in one of the most fiercely contested categories for their role at live events including The National Eisteddfod of Wales and Belgium’s electronic music dance festival Tomorrowland.

Judges said: “This was an excellent presentation, well thought out and creative and showed such diversity in the work they undertake.”

Neptunus reached its 80th anniversary last year and marked the occasion by launching an innovative new structure, Salacia. The circular Salacia was designed especially for Tomorrowland after the festival’s organisers challenged Neptunus to come up with a new and dynamic creation for their event.

The innovastructure was a key element of Neptunus’ Event Production Award entry which saw the company beat off opposition from eight other industry rivals to take the prestigious title in London.

April Trasler, MD of Northamptonshire-based Neptunus received the award on behalf of the company and said afterwards: “We are really thrilled to be named Best Temporary Structure Supplier in recognition of our performance at live events last year at a time when we were celebrating our 80th anniversary.

“Awards such as this recognise the efforts of everyone at Neptunus while our new Salacia structure also demonstrates just how creative our design team are. They are constantly coming up with really innovative bespoke solutions for our customers, pushing the boundaries to ensure that our customers’ visions can be turned into reality – and this is so important to enable us to keep ahead in such a competitive industry.”

 

April Trasler (pictured 3rd right) accepts the award on behalf of Neptunus with project manager Richard Treml (2nd right) and project director Ben Keast (far left).

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